Yance is more than a witness—he is a participant in the events of the film, and its elements of pain and guilt are reflected in his grief-stricken, self-interrogating artistry. Photography from Everett ... home town of Central Islip, Long Island, in 1992, and William’s killer, Mark Reilly, a white man, did not face charges.
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Yance is more than a witness—he is a participant in the events of the film, and its elements of pain and guilt are reflected in his grief-stricken, self-interrogating artistry. Photography from Everett ... home town of Central Islip, Long Island, in 1992, and William’s killer, Mark Reilly, a white man, did not face charges.
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what happened to mark reilly strong island


That includes himself.The effect is intense and elegiac, even as the pace veers toward the overly deliberate, and as Mr. Reilly and some essential witnesses aren’t interviewed or approached by the filmmaker; no explanation for this omission is given.Were “Strong Island” a strict procedural, that exclusion would be more glaring.

Mr. Ford had gone there after a dispute over a repair and confronted Mr. Reilly about an insult that was said to have been made earlier to Mr. Ford’s mother. Yet this potent Review: ‘Strong Island’ Explores a Killing and Its AftermathBarbara Dunmore Ford, the mother of William Ford Jr., in an old family photo, as seen in the documentary “Strong Island.” Strong Island, his directorial debut, achieves a striking look via remarkably simple means.

At the time that William was killed, Yance identified as a woman and hadn’t yet come out as queer; that aspect of his life plays a role in the story. He keeps the camera closely trained on the faces of those who’ve suffered emotional wounds that won’t heal, and who live with regrets that are devastating.
One night in April 1992, William Ford Jr, a 24-year-old African American, was shot dead by Mark Reilly, a young white mechanic. Ford was unarmed. Yance Ford’s extraordinarily dramatic documentary is both personal and investigative. The filmmaker’s intensive study of the case, the result of a minor dispute, unfolds both the latter-day state of racial relations on Long Island and its historical roots, which emerge in Barbara’s account of the family story—the move from Charleston, South Carolina, to Brooklyn, and then to the suburbs. What we’re looking at in Strong Island is why the events happened and what they meant for my family, and really what it means to kill someone in self-defense,” he said. It’s the story of an unresolved killing: his brother, William Ford, Jr., a black man, was killed in the family’s home town of Central Islip, Long Island, in 1992, and William’s killer, Mark Reilly, a white man, did not face charges. It happened only a few blocks from his home. Yance reconstructs the story in his own words, and in interviews with his mother, Barbara (a retired high-school principal), his sister, and William’s friends, including one who was present at the scene of the killing.

Mark Reilly (without Mark Fisher) recorded a collaborative album with New Cool Collective in 2016.
https://www.nytimes.com/2017/09/14/movies/strong-island-review.html STRONG ISLAND, 2017. William Ford Jr. was shot and killed on April 7, 1992, an incident at the center of the documentary William, an unarmed, black 24-year-old teacher, was slain by Mark Reilly, a 19-year-old white man who was working at an auto body shop on Long Island.

Mark … A grand jury declined to indict Mr. Reilly, a decision that staggered Mr. Ford’s loved ones.Though questions of race and justice are raised, Yance Ford more often examines how he and the rest of his middle-class family dealt, or refused to deal, with the tragedy. The Things You Love featured nine new tracks and a re-recording of "Don't blame it on that girl" ; the collaboration was billed to "New Cool Collective/Matt Bianco (Mark Reilly)". He had gone to Reilly’s Long Island … Still from Strong Island (2017), directed by Yance Ford (courtesy Cinereach).

Yance is more than a witness—he is a participant in the events of the film, and its elements of pain and guilt are reflected in his grief-stricken, self-interrogating artistry. Photography from Everett ... home town of Central Islip, Long Island, in 1992, and William’s killer, Mark Reilly, a white man, did not face charges.

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